Vol. 6 No. 1 (2021): January–July

View Vol. 6 No. 1 (2021): January–July

DOI: https://doi.org/10.52930/mt.v6i1

Published: 2021-12-16

Full Issue

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Editorial

Editorial

Gabriel Navia

i–iii
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Artigos

Pierre Boulez, Latin America, and the European Avant-Garde After 1950

Cristina Losada

1–40
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The Still Point of the Turning World The Sense of the Now in Schubert’s Late Instrumental Music

April Wu

41–73
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Compositional Strategies for Large-Scale Works Around 1600 Self-Quotation, Reworking, and Emulation in Giovanni Gabrieli’s Motets In ecclesiis, Benedictus es, Dominus and Alessandro Tadei’s Missa sine nomine

Bernhard Rainer

74–99
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O Atonalism, dodecaphony, and national music by Eunice Katunda in Variações sobre um tema popular and Quatro epígrafes

Marisa Milan Candido, Amilcar Zani Netto, Eliana Monteiro da Silva

100–132
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Missa Breve sobre Ritmos Populares Brasileiros, by Aylton Escobar analytical approaches

Cintia Campos Santa Cruz Santana, português português, português português

133–164
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[Meta]polyphony in Cântico das crianças corrompidas an expanded view of musical polyphony based on Mikhail Bakhtin's proposals

Felipe de Vasconcelos

165–191
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Technical, Aesthetic, and Compositional Aspects in Graphein by Raphael Cendo

Sergio Kafejian, Sivio Ferraz

192–217
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Algorithmic Composition of Harmonic Progressions through Markovian Processes in the Style of Antonio Carlos Jobim

Ana Miccolis, Claudia Usai, Eduardo Cabral, Igor Chagas, João Penchel, Max Kühn, Vinicius Ramos Braga, Carlos Almada

218–238
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Codings for rhythm generation a proposal and comparative study

Adolfo Maia Jr. , Igor Leão Maia

239–265
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Signs of times Adorno's music criticism and Mingus's black jazz

Gabriel Rezende

266–300
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About the authors

About the authors

Gabriel Navia

301–306
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