Vol. 5 No. 2 (2020): August to December

View Vol. 5 No. 2 (2020): August to December

DOI: https://doi.org/10.52930/mt.v5i2

Published: 2021-07-07

Full Issue

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Editorial

Editorial

Gabriel Navia

i–iv
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Artigos

A Theory for Parsimonious Voice-Leading Classes

Carlos de Lemos Almada

1–47
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A Conversation with Robert Hatten about A Theory of Virtual Agency for Western Art Music

Robert Hatten, Maria Lúcia Machado Pascoal, Cristina Capparelli Gerling, Flavio Santos Pereira, Diósnio Machado Neto, Guilherme Sauerbronn de Barros, Paulo de Tarso Salles

48–73
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It is as it is, because this is how it should be: galant rhetoric in José Maurício’s motets, observed within the use of partimenti pedagogy, schemata grammar, and musical oratory

Diósnio Machado Neto, Fernando Tavares, Rodrigo Lopes da Silva, Gustavo Caum e Silva

74–141
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Narrative Strategies and Sound Space in Nau dos Insensatos by Conrado Silva at the XXth São Paulo Art Biennial

Rodolfo Coelho de Souza, Paulo Yassuhide Fujioka

142–164
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Notes on Musical Form and Three Motivic-Thematic Techniques by Schoenberg, Motivic Unfolding, Developing Variation, and Musical Prose

Norton Dudeque

165–206
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Mapping of derivations by synthetic variables in Peça para dois minutos by Guerra-Peixe

Hanon Guy Lima Rossi , Adriana Lopes Moreira

207–225
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Conclusive Gestures in Symphony no. 8 (1950) by Heitor Villa-Lobos

Adailton Sergio Pupia

226–258
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Schubert’s Experiments with Processual Form

Gabriel Venegas Carro

259–278
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A Fantasia Cromática BWV 903, de J. S. Bach

Yara Caznok

279–302
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Deciphering Flavio Pereira’s Reading of Dostoevsky after the The House of the Dead

Nadia Nedialkova, Bojin Nedialkov , Flávio Santos Pereira

303–330
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About the authors

About the authors

Gabriel Navia
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